Sisyphe – Titian Vecellio Peinture de Tiziano Vecellio “Sisyphe”.
It creates a purely physical sense of stopping the flow of time and the endlessness of the heavy useless work of the ancient hero. The athletic figure, illuminated by the last sunset rays of the sun, was molded in a textured and expressive manner, the muscular body firmly merged with the stone block, not yielding to it in hardness. The great dignity of the late Titian’s creative language is that the structure of the smear gives an example of the realistic unity of the artistic and psychological moment. The smear acquires a special significance, it not only transmits the texture of the material, but its movement sculpts the very form – the plastic of the object. Late Titian deployed poses the problems of color harmony in painting, as well as the problem of creating expressive techniques for a free and accurate pictorial brushstroke. And this lasted for a century… Until now, a fruitless, vain work is called “Sisyphus”. Only when he reached the top and tried to fortify the stone there, he broke down and again rolled down, and the unfortunate criminal once again took up his hard work in vain.
There I comprehend his punishment: he had to drag a huge marble block to a high mountain. Once, when he was sitting at the table, enjoying rich food, Death came to him unexpectedly and brought him back to the underworld. Returning to his kingdom, the cunning king and did not think about returning to the underworld and again happily healed in his magnificent palace.
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